About “GOAT” in a few words:

GOAT is an all-new animated sports comedy about an unlikely hero chasing greatness in a world where size, speed, and flair matter. You’ll meet a small goat named Will Harris who dreams of making it big in “roarball,” a fast-paced, full-contact sport dominated by fierce animal athletes. It’s packed with humor, teamwork, and that classic “prove ’em wrong” underdog spirit, all wrapped in vibrant animation and stellar voice talent.

Meet the characters from GOAT

Will Harris

Will Harris is the quietly relentless backbone of the group — you know the guy, the one who makes a plan and somehow fixes the plan mid-collapse. He’s steady and kind, the calm in storms, but don’t mistake that for boring; there’s a secret bad-news sense of humor and a wild streak that shows up at 2 a.m. in the form of terrible karaoke choices. Role-wise he’s the organizer, the one people text when everything is on fire, yet he’s also the friend who forgets his own lunch and grins about it like it’s a personality trait. Quirks: collects old harmonicas, says he hates spicy food (lies), and once fell asleep on a rooftop and woke up with a mysterious postcard in his pocket — still can’t remember where it came from.

Jett Fillmore

Jett Fillmore is pure kinetic energy in human form, the kind of person who wears sunglasses at night and thinks every problem has a thrilling, slightly illegal solution. He’s charming, reckless, a daredevil with a laugh that makes people forgive terrible decisions, and also shockingly empathetic when he wants to be. He acts like the stunt-hero of the crew (literal or metaphorical — I refuse to be pinned down), but he often volunteers to train the newbies and is secretly terrified of disappointing people. Little weird facts: tattoos he won’t explain, allergic to dogs but fosters them anyway, drinks espresso like water and cries at toothpaste ads sometimes — yes, really.

Lenny Williamson

Lenny Williamson is the lovable, anxious brainiac who can dismantle a radio with one hand and overthink his text messages with the other. He’s meticulous to a fault, a tiny whirlwind of lists and labeled drawers, but he’s also got this ridiculous, stubborn bravery where he’ll sprint into awkward social situations just to help someone. Role: the fixer and the researcher; people come to him for plans and blueprints, and he gives them the safest, nerdiest solution imaginable — which occasionally involves glitter glue. Fun, messy detail: he keeps a jar of buttons he’s never used, insists he hates sweets yet eats three slices of cake at midnight, and has an inexplicable talent for karaoke ballads.

Mane Attraction

Mane Attraction is, honestly, a showstopper — flamboyant, theatrical, and somehow disarmingly sincere, like a living stage prop who also makes you soup when you’re sad. They live for big entrances and bigger hair (duh), but beneath the sequins there’s a fierce loyalty and an oddly practical streak — yes, they own more bobby pins than sense. As the community glue and unofficial drama manager, they fix fights with pep talks and terrible puns, then vanish backstage to sew up a last-minute costume and quietly read poetry. Quirkiness: hates being the main focus sometimes (contradiction!), collects playbills obsessively, and probably has glitter in their pockets right now.

Olivia Burke

Olivia Burke is the organized, razor-sharp strategist who treats life like a chessboard and always has three contingency plans in her back pocket. Professional, focused, and a little intimidating at first glance, but she’s secretly sentimental — she keeps ticket stubs and sticky notes with dumb doodles. Her role is captain and critic: she spots patterns, calls out nonsense, and makes things run smoother, yet her desk is a glorious mess of half-finished coffees and color-coded chaos. Quirky bits: she swears by espresso but drinks chamomile when she’s pretending to relax, has a tiny scar from an old skateboard trick she’ll brag about sometimes, and hums when she’s thinking.