A camera enters a life full of unanswered questions, and suddenly even ordinary conversations feel like clues. This personality quiz brings you into the unsettled world of a mind-bending mystery to find out which of its central figures feels most like you—no need to explain every twist along the way.
About You Can See Everything
In the 2026 documentary You Can See Everything, Elizabeth Holmes invites Nathan Fielder and Lance Oppenheim to film her life in the 34 days before she reports to prison. What starts as close access to Holmes and partner Billy Evans grows into a stranger, longer investigation: filming resumes two years later, and Amanda Seyfried helps recreate encounters the crew missed. The film keeps circling questions of truth, image, and the limits of documentary journalism.
You Can See Everything Character Profiles
Billy Evans (portrayed by Christopher Abbott)
Billy Evans is Elizabeth Holmes’s partner, a quiet presence beside her when a film crew begins documenting their life before her imprisonment. As the documentary unfolds, he becomes increasingly involved in managing Holmes’s public image and controlling access to her. His protectiveness and influence leave the filmmakers questioning where support ends and self-interest begins. Christopher Abbott portrays Evans in dramatic reconstructions of encounters the crew could not film, extending the documentary’s uneasy play between observation and performance.
Nathan Fielder
Nathan Fielder directs and appears in the documentary, joining Lance Oppenheim to film Elizabeth Holmes and Billy Evans. Rather than remaining a distant observer, he questions the couple and probes the gaps between their accounts and public image. His measured, analytical manner gives way to a more personally involved investigation as doubts accumulate. Fielder’s attempts to reconstruct conversations he could not film make his role both investigative and self-conscious, complicating the film’s boundaries between documentary record and performance.
Lance Oppenheim
Lance Oppenheim co-directs the documentary with Nathan Fielder, helping shape its account of Elizabeth Holmes and Billy Evans as they invite a film crew into their lives. The project moves from an intimate portrait toward a more unsettled examination of access, trust, and performance. Oppenheim’s role is collaborative: he shares responsibility for a film that observes its subjects while also scrutinizing the act of observation itself. His presence anchors the documentary’s unusual blend of personal access and investigative inquiry.
Elizabeth Holmes
Elizabeth Holmes, the founder of Theranos, invites a film crew to document her life shortly before she begins serving a prison sentence for defrauding investors. On camera, she presents an intense, carefully managed persona while maintaining that she did not intentionally mislead people about the company’s blood-testing technology. Her partner, Billy Evans, and the filmmakers become part of an increasingly uncertain portrait of her private and public selves. The film leaves viewers weighing vulnerability against performance without resolving the question of her sincerity.
