The Umbrella Academy is series based on a comic follows a messed-up family of adopted siblings with superpowers. They were trained to save the world. After splitting up they come back together to figure out their dad’s death and stop an apocalypse. The show mixes action, drama and humor. Fans love its quirky characters and fresh spin on superhero stories.

Discover the superpowers from The Umbrella Academy

Super Strength by Luther

Luther is basically the resident gentle giant — equal parts hulking hero and big soft goof, honestly it’s adorable. He’s the team’s muscle, the person you shove stuff onto and trust to carry the apocalypse on his back, and yes he can literally carry a car, probably while humming 80s rock. Protective to a fault, loyal until it hurts, and sometimes a little too quick to leap before thinking, which makes for both heroic saves and very awkward dinners. Also, he collects tiny things? Like bottle caps or sympathy cards, sometimes both, I can’t remember, but it’s cute. So yeah, a walking tank with a poet’s heart, which is as chaotic and endearing as it sounds.

Eldritch Tentacles by Ben

Ben’s eldritch tentacles are equal parts creepy and comfort — he shows up when you least expect it and somehow makes being dead look like a personality trait. He’s the quiet moral compass with tentacles? It’s weirdly sweet; he’ll pull you out of trouble with an extra-limbed hug and then make a dark joke about the afterlife. He has haunting secrets, also apparently a fondness for warm milk and terrible puns, which I can’t imagine but also do love. So Ben is both ethereal guardian and awkward roommate-from-beyond, and yes he would probably apologize if he could.

Power Mimicry by Lila

Lila is the chaos card you never see coming — mimicry makes her a chameleon of danger and charm, and she uses it like a thief uses shadows. She can swipe powers, accents, and probably your Netflix password if you’re not careful, and she’ll do it with a grin that is both inviting and slightly menacing. She’s surviving, always, and that leads to this messy cocktail of fierce independence and heartbreaking loneliness — also she collects postcards but forgets where she keeps them, which is very Lila. Part ally, part wildcard, and definitely someone you want on your team until you don’t, and then it’s a whole dramatic thing.

Trajectory Manipulation by Diego

Diego is precision wrapped in attitude — he throws knives and life at sharp angles and somehow never misses, even when he’s aimless about everything else. Rebellious, uncomfortably moral, and secretly sentimental (he keeps a stupidly neat stack of receipts from old heists), he hates being told what to do but will follow a code you can’t negotiate with. He’s a loner who buys popcorn in bulk and then eats it one kernel at a time during stakeouts, which is the most oddly specific habit and I love it. So he’s the scrappy vigilante with impeccable aim and a messy heart, dramatic but very dependable in a punchy way.

Persuasion by Allison

Allison is the queen of “I heard a rumor” but like, weaponized — persuasive, glamorous, and possibly the best at getting you to do things before you realize why. Her words are a velvet trap, she can rearrange someone’s choices with a flattering tone and a smile, which is terrifying and kind of brilliant. She’s also a small-town superstar who loves baking on off days? OK, sometimes she hates kitchens but then suddenly makes perfect pies, so who even knows. There’s a moral knot to her power — using it feels like cheating, and she wrestles with that constantly, which makes her oddly relatable. Basically, she’s charm with consequences and you should absolutely never tell her anything you don’t mean.

Connection To The Dead by Klaus

Klaus is a walking, talking mood swing and also the best dead-whisperer you could ask for, which is simultaneously hilarious and devastating. He communes with the departed like they’re brunch buddies, dresses like he stole half a thrift store, and will probably invite a ghost to weigh in on your life choices. He can be reckless, self-sabotaging, and impossibly tender all in the span of a single cigarette break, and there’s this aching compassion under the theatrics that gets me every time. So Klaus is chaos, comfort, and that weird friend who cries at commercials — only sometimes he’s making the commercials himself.

Sound Manipulation by Vanya

Vanya looks like the quiet kid in the corner and then—plot twist—she blows the roof off everything because sound is her weapon and she is not playing nice. She has this heartbreaking mix of vulnerability and terrifying power, like a violinist who can erase cities but prefers to be unnoticed in a sweater. There’s this weirdness where she hates attention but secretly loves applause (don’t tell anyone), and keeps a guilty-pleasure playlist of bubblegum pop that she cries to sometimes. Her control issues are real; when she lets go it’s beautiful and catastrophic and you can’t look away. So she’s the quiet storm, melodic and lethal and somehow deeply human in her contradictions.

Space-Time Manipulation by Number Five

Number Five is time travel snark in a tiny, battered suit — he’s old in his head, impatient in his bones, and treats history like a ticking to-do list. Brilliant strategist, reluctant babysitter, and gun enthusiast? Yes, yes, and absolutely yes, and somehow he keeps forgetting simple stuff like anniversaries while remembering entire timelines. He’s precise, sarcastic, and terrifyingly competent, but also has this stupid fondness for bad sitcoms and coffee that grounds him a little. So Five is the grumpy genius who can yank you through decades and still complain about airline snacks; he’s essential, exhausting, and kind of lovable in a very gruff way.