Zack Snyders Justice League is a massive superhero flick. It is based on DC Comics. It is also fifth in DC Extended Universe. The story shows Justice League. This team includes Batman, Wonder Woman, The Flash, Aquaman and Cyborg. They unite against Darkside and his army of Parademons. Expect epic action, stunning visuals and a full-tears storyline. Fans of genre will love it.

Meet the characters from Zack Snyder’s Justice League

Martian Manhunter

Okay, J’onn — or General Swanwick, whatever you want to call him — is quietly one of those “wait, what?” characters who retrofits the whole story in the best way. He’s patient, unbearably wise, telepathic and shapeshifty but also oddly fond of small human rituals like saluting or sipping bad coffee, which is cute and also creepy. There’s this melancholy about him, like someone who’s watched civilizations rise and fall and keeps a small, stubborn hope anyway. He can be cold and unknowable one second and absurdly tender the next — I mean, he literally changes faces but his care for people is consistent, even if he hides it behind a uniform. You get the sense he knows the score and is playing the long game, which is both comforting and terrifying depending on your alignment with alien mind-readers.

Lois Lane

Lois is pure, stubborn, journalistic force — she doesn’t just ask questions, she slams them down and then lights them on fire for extra emphasis. Tenacious, moral, and unafraid to stand in front of a god; she’s the human anchor who keeps Superman from becoming a cape with no consequences. She’s sharp, a little messy (always has a notebook and like three pens, none of which work when you need them), and somehow both skeptical and the person most likely to believe in people when it counts. There’s this gentle stubbornness — she refuses to be sidelined but also makes room for soft, human moments, like worrying about her cat or whatever small thing keeps her sane. She grounds the mythic in the mundane, which is more important than it sounds.

Aquaman

Arthur is gruff, salty, and regal in a way that makes you want to mess with him and also apologize immediately — he’s the reluctant king who would rather be invisible but will absolutely drown you if forced. He’s stoic on land, fierce in the sea, and has this weird deadpan humor that catches you off guard (and yes he does have a collection of oddly specific shells and possibly a thing for bottle caps, don’t ask). He’s both a loner and someone who fights like a tidal wave for his people; there’s depth under that beard and a lot of bristly charm. He can seem annoyed by grand speeches but will give the most epic war face when needed, which is a mood. Also, he can talk to fish and yet seems suspicious of aquariums? I don’t know, it’s Aquaman, it’s complicated.

Wonder Woman

Diana is mythic and humane in the same breath — a warrior with empathy, which is honestly the best combo. She’s regal, centuries-old, and still occasionally surprised by modern things, like phones or salads or whatever, which makes her feel very real and also slightly out of time. She kills with grace and then sits with the consequences; she’s idealistic but not naive, and that makes her fiercer than pure fury could. There’s this lovely contradiction where she’s tired of war but will be the first into it, because someone has to hold the line and she has that stubborn moral core. Also she probably keeps ancient armor in a closet and a ridiculous number of bracelets, just saying.

Superman

Clark is the living symbol — hopeful, quietly massive, and also very human in the little things, like his awkward phone manners or his mother’s roast recipe being his comfort food. After everything he’s been through he’s both beacon and question mark: overwhelmingly powerful but emotionally fragile at times, which is the most compelling part. He’s earnest to a fault, wants to do the right thing, and will die on principle if that’s what it takes — dramatic, I know, but he’s built for mythology. He can be a little stiff (mildly dorky with a tendency to stare into horizons) and then suddenly smile and melt you, which is annoying and wonderful. Also he sometimes forgets he’s not invincible to feelings — super strength, mortal heart, classic combo.

Batman

Bruce is the blueprint for obsessive melancholy and also an oddly effective team dad, which is a vibe that never gets old. He’s clever, paranoid, brilliant with gadgets, and the kind of guy who has contingency plans for contingencies, including spreadsheets and possibly a spreadsheet for his spreadsheets. He projects darkness but is actually motivated by a warped and persistent love — he wants to protect, even if his methods are terrifying and involve a lot of brooding bat-monologues. He’ll chew you out in the meeting and then quietly fix your armor that night; contradictory energy but extremely useful. Also, he absolutely judges your taste in coffee, and would win at any game of moral chess.

Darkseid

Darkseid is the cosmic “I will break your will” energy personified — patient, inevitable, and monumentally monolithic. He wants the Anti-Life Equation like a kid wants the last cookie, only with more galaxy-scale consequences and less sharing. He’s not loud for the sake of it; he’s the kind of villain who makes black holes feel like polite suggestions, and he’s terrifying in this calm, ancient way. There’s a weird theatricality to him too, like he enjoys the drama of conquest, and occasionally you catch this almost-bored amusement, which is worse than fury. He absolutely plays chess with planets and probably hates losing at solitaire for no reason.

The Flash

Barry is the nervous, adorable speed-chemist of the group — fast in body and in thought, and full of this anxious, earnest heart that you just want to protect. He cracks jokes to cover the terror like a champ, but also carries serious guilt and deep loyalty that makes him surprisingly grounded. He’s awkward, charming, and doesn’t always get things right (see: that dance), but his rapid empathy is the real power; he feels for everyone at once. He’s young, a little scattered, and somehow more mature than he pretends when the moment calls for it. Also he keeps a weird stash of snacks in his suit for “later” and you can almost hear his brain racing when he’s trying not to panic.

Steppenwolf

Steppenwolf is brutal and tragic in equal measure — a fallen general trying to claw his way back into favor, which makes him violent but also kind of pitiable if you look too close. He’s loud and armored and terrifying in battle, but there’s this undertone of desperation, like he’s performing for a boss who already hates him. He swings massive axes and screams like the end of the world, and yet you sometimes get little hints that he’s not just evil for evil’s sake, more like a soldier with very bad choices. He’s menacing, messy, and not very subtle, which is honestly kind of refreshing in a big bad. Also he has questionable fashion sense — huge cape, bigger ego.

Cyborg

Victor is the emotional, technical, beating heart of the team — half-boy, half-machine, all tangled feelings, and somehow the literal bridge between tech and humanity. He’s brilliant, angry, afraid, and heroic, often at the same time, and you can feel every small victory and loss in his circuitry. He evolves from isolated and resentful into someone who can connect worlds, which is both heartbreaking and uplifting; also he likes mixtapes and weird tunes for some reason, which is adorable. He’s a walking paradox: built to be a weapon but desperate to be seen as a person, and that tension makes him endlessly compelling. Also he probably has cobbled together a playlist titled “Angsty Robot Hours” and I support that.